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June 21, 2009

Twilight

Saw Twilight last night - watched the DVD on my laptop.  I liked Robert Pattinson.  I didn't think I would, but he did a good job.  I haven't read the books, so I can't say how the actors did compared to the characters in the book, but I liked them all.  Kristen Stewart is lovely. 

I LOVED Taylor Lautner as Jacob Black.  What an awesome smile!  Hope to see a lot more of him in the next movie.  Judging by the trailer on imdb.com, I'd say that's a "yes!"

I see now why the series is so popular with the teens.  It's an adventure love story.  My nieces are all in their late teens, and none has copped to being a fan.  I'll have to ask around...

May 26, 2009

William Shatner is Brilliant!

I just realized this past weekend that William Shatner is a genius!  I love him!

I mentioned in my last post that I watched one of Chris Pine's previous movies after seeing the new Star Trek movie (again!). 

Well, I also went back and watched about a dozen episodes of the 1966-1969 Star Trek series, available virtually ad-free on www.imdb.com. (No 10-minute YouTube segments to cope with.)

Now I know why all the fans are fanatics!  The show is absolutely addictive.  And yes, the contrived adventures are all interesting (I mean, fascinating) and speak their lessons, but by far it is the acting of William Shatner and Leonard Nimoy that made the whole thing worthwhile! 

William Shatner's Captain Kirk is totally charming.  He usually looks ready to smile (that is, of course, when he's not being threatened or tortured), and he's always honorable, trusting, and kind.  I love his sense of humor.  And also, of course, very handsome. 

And all the stars so fit and trim!  They were hot!

William Shatner looks like he loved the role. Some of the scenes - I swear - are written just so one or the other (or both) of he or Leonard Nimoy had the opportunity to act.  Act in character, act totally out of character, act with all kinds of histrionics, or act with inanimate objects and other silly props.  (Devil in the Dark monster, anyone?) It's amazing!  They are both so wonderful to watch.  (Although, admittedly, Captain Kirk never seemed to have learned to fight so well.)

I'll definitely be watching additional episodes over the next few weeks.  I can't get enough of them!

But back to William Shatner... When you look at his list of works on www.imdb.com, it's totally impressive how much he has worked over the past 40+ years.  And he's still acting!  I haven't seen Boston Legal, but I trust the show and Shatner deserved their Emmy nominations over the years!

And www.imdb.com also lists Mr. Shatner's other interests and contributions. According to IMDB, he, "Produces and hosts the annual Hollywood Charity Horse Show which he founded in 1990. Over $1.25 million  has been raised for children's charities, such as Ahead With Horses, L.A.'s BEST and Children's Museum of Los Angeles."

Finally, I walked in to Barnes & Noble the other day and picked up Mr. Shatner's book to browse through.  It's FUNNY!  And that's when I was certain - the man is a comedic genius!  His best, best quality is he doesn't take himself too seriously.  I'm hooked!

Oh wait! Finally, finally - I loved learning that William Shatner and Leonard Nimoy are old friends.  Doesnt' that just warm your heart?!

May 25, 2009

Just My Luck

So, I loved Chris Pine in Star Trek, and I happened to have "Just My Luck" at home, so I finally watched it.  He was adorable, as was Lindsay Lohan.

In fact, how can you take two such charming, charasmatic, fun stars, and create such a ridiculously mediocre movie?  I mean, the premise is a little silly, but I can go with it. But the execution of the idea!  It's like - who is that is responsible for how the movie turns out?  

Is it the writers?  The director?  The producers?  I'm sitting there watching and thinking, "Okay, Okay, I get it. Bad luck!"  Do you need to beat me over the head?  Did they really think that over-the-top-ness was funny?  They weren't trusting their stars to create the empathy the audience could have had. What were they thinking?

I don't hold Mr. Pine and Ms. Lohan responsible for this inanity.  I'm sure they were following the script and the directions -- again charmingly, and amusingly, I might add -- as did girlfriends Samaire Armstrong and Bree Turner.

It's another example of how American romantic comedies disappoint.  Instead of writing about the things that could really happen - that DO really happen - in real life, we are subjected to some hack's overblown idea of of what it takes to make an audience laugh.  What nonsense!

We could have awesome, wonderful romantic comedies, and Hollywood just keeps missing the boat.  I don't get it.  I really don't.  When you think of all the money spent to make movies, and all the money made off the movies, how come we can't get high quality?  We need like a revolution against "Hollywood."

I've heard it's "the suits" who insist that these silly scenes be in movies, but who exactly are these "suits"?  And how do we get them to get the message:  We want intelligent romantic comedies!

Dorothy

P.S. - I see Chris Pine is in "Killing Pablo" which I'm already excited about because it has one of my other favorite actors:  Christian Bale!  Yay!

May 03, 2009

Campaign for Movie Excellence

I just don't get it.  With millions and millions spent making movies, with the brilliance of writers, directors and actors -- and that's the ones who have jobs, not to mentions the tens of thousands not making movies -- why are so many movies mediocre?

I need to start a campaign to bring excellence to movies.  And I'm not talking about studios making any less money.   Just imagine: if the studios would consistently produce REALLY GOOD movies, they would make even more than they are now!

What do you think? 

State of Play

Last Tuesday my friend Pam invited me to $5 movie night in Wallingford.  We saw "State of Play," that disappointing bit of nonsense starring Russell Crowe.  After all the reviews I read, I thought I was going to feel good knowing our minds were safe in the care of dedicated journalists who are seekers after the truth.

Instead, I came away thinking Crowe's character (Cal) was a make-up-your-own-truth, rules-bending, I-don't-care-who-gets-hurt, self satisfied SOB, who deserved to lose his job for his total lapses in judgment and ethics.  We're supposed to think he was a hero for figuring it out at the last frigging minute?  Through a chance comment?  Come on!  He got lucky!

The doe-eyed Rachel McAdams character, Della Frye, showed more scruples, ethical behavior, and maturity than Cal, in my opinion.  She questioned: Is that breaking the law?  This isn't right, etc. Let's hope she doesn't hang around Cal enough to get jaded over her career!

Here are two lessons I learned from the movie (potential spoiler alert):  Most conspiracy theories never pan out, and second, if somebody (that means you, Ben Affleck/Steve Collins) walks out on an investigation after turning it personal, he's probably hiding something!

Oh wait, one last lesson:  I guess there is a reason why the new owners (who we're supposed to think are "in the way" of Cal's excellent reporting) required some proof: You might be headed down the wrong rabbit hole!

I can only hope the British version on BBC with that darling James McAvoy did not contain the same drivel.  

Which reminds me: Next movie is "Is Anybody There?" with Michael Caine and Anne-Marie Duff... 

April 26, 2009

Marc Platt, etc.

Yesterday I read about Marc Platt receiving an award and it's the first I ever heard of him.  He's one of those now on my list to contact for my ultimate life goal:  Making movies that reflect people living as their "Highest Self," or however I will finally say it. 

I say I'm writing based on Think and Grow Rich by Napolean Hill, but Hill's book has been recommended to me by the likes of David Neagle, Ali Brown and others.  I listen to a phone call with, say Baeth Davis and Kendall Summerhawk this past week, and it's a lovefest.  Why can't we all live and be this great? 

I love that Hollywood is an influencer, and when they can take these ideas and show/demonstrate Hill's principles on film, they will be producing the BEST action, rom-com, comedy, etc. EVER, while teaching without being didactic. 

Living as our highest selves automatically means there aren't cliches. Everything is created in the moment.  

April 20, 2009

Anna and Thomas

A love story based on the principles of Think and Grow Rich by Napolean Hill.  Written with James McAvoy in mind as Thomas, because this role is Max/Tom/Robbie all in one.  I need a clever, happy, beautiful, innocent but not naive 20-year old Anna.

The idea is to have characters who live by the principles of Think and Grow Rich -- faith, autosuggestion, integrity, and "the mystery of sex transmutation," etc.  (You'll have to read the book.) 

Actually, what I really need is someone to write the stories for which I have ideas.  I am a master (mistress?) at fantasizing the stories, but my writing sounds so pedestrian.

This is a period story, early 1900's, in England.  (Actually, before Think and Grow Rich was published, but I'm confident many of the tenets can be found in other, earlier great literature and philosophy, from which my heroine learned.)  They both have a rather pressing need to marry, so they enter into a marriage of convenience.  But that's just where we start off...

March 01, 2009

My Viggo Mortensen movie

Category(s): Feel good, romance

This story is about an artist, Rick Wright, who had some fame back in the late 80's as a young man, but kind of flamed out and hasn't been heard from much since.  Still, he keeps producing art in his studio in upstate New York and maintains a few ties with curators and art professors in NYC.

As he approaches 50 years old, he's got a modest amount of money and no real plans for the rest of his life.

In an art appreciation class in New York City there's a 40ish woman taking the course as part of her plan to shift gears from her advertising/marketing career to being a consultant to entrepreneurs, artists and actors promoting themselves online.

She asks the professor who are the best artists in NY who deserve fame but haven't had any.  What's the short list of the best 10?  I'm going to get in contact with them and do my internship with them.

The professor gives her seven names.  She starts interviewing them. She goes up to meet Rick because he's on the list, and decides he's one of the best prospects for what she's trying to do. She convinces him to hire her on a pay-for-performance basis, assuring him they are both going to make a lot of money when she successfully sells his art.

So then you see her doing all the work to create the online business, visiting galleries, promoting, promoting, promoting, all the time being sweet as can be to Rick and everybody else, and always, always positive and encouraging.

He starts to get a vision of himself being successful and making money, and becomes more willing to actually do some of the self-promotion that he hadn't been doing.  He starts getting gallery gigs and selling stuff online and even agrees to sell a design to an interior decorating manufacturer, which brings a lot of bucks.

February 14, 2009

"What's In Your Marketing Funnel?"

by Ali Brown

A past client of mine, whom I'll call "Mary," was a financial planner. She'd had a Web site for a few years that pretty much served as an online brochure for her. When Mary came to me, she was looking for other ways to generate income besides working directly with clients.

During our first conversation I introduced her to the MARKETING FUNNEL. If you picture a funnel, you know it's wide and open at the top, and tiny and narrow at the bottom. At the top of the funnel is where you want to get as MANY prospects in as possible. At the bottom of the funnel is your HIGHEST PRICED service or product. And in the middle are in-between levels of services/products and prices.

So as you go down the funnel, the products are priced higher and higher, and the idea is to keep people flowing down from the top to the bottom.

First, Get Them IN the Funnel

Offering something FREE is the ideal way to get tons of people into your funnel. Most people collect prospects by giving away something free, such as a report, an e-zine, or a teleclass. When people sign up for these goodies, you get their names and e-mail addresses, allowing you to contact them again.

At the top of Mary's funnel was her e-zine. And at the bottom were her pricey one-on-one services. But there was nothing in the middle of her funnel.

I see this often with many solo professionals, such as coaches and consultants. There's either free or high-fee. This is the reason many of them have so much trouble converting prospects --- people usually aren't ready to make that big jump from $0 to several thousand dollars!

So I helped Mary brainstorm several information products ("info-products") and other programs she could quickly create and begin to sell.

Info-Products Are a Great Solution

By packaging your knowledge into info-products, you give your prospects the chance to "sample" you at a lower price, filling the middle of your funnel. Here are a few ideas to get you started:

* Books
* E-Books
* Special Reports
* Manuals
* Workbooks
* Journals
* Audio (downloads, CDs, or cassettes)
* Video (downloads, DVDs, or VHS tapes)
* Home Study Courses or Tutorials (usually a mix of media)

Even better, selling these products on your Web site gives you passive income. That is, it's money coming in automatically. It didn't require your working X hours for Y dollars. Sales can come in 24/7, and you don't even have to be there.

And don't forget about teleclasses or teleseminars, delivered over the phone, or even Webinars, taught over the Internet. These require your direct involvement, but allow you to teach many people at once. These formats allow you to make much more money per hour, and they give your prospects access to you for a lower fee than hiring you one-on-one.

Let's look at what Mary's funnel could look like:

TOP OF FUNNEL:
Free e-zine

MIDDLE OF FUNNEL:
Workbook ($49)
Teleseminar ($79)
2-CD audio program ($97)
4-week tele-course ($249)

BOTTOM OF FUNNEL:
One-hour private consultations ($250)
2-day live workshop ($997)
Personal mentoring program ($3,000/mo.)

Take a few minutes right now and sketch out YOUR funnel. See where the holes are, and start thinking about what products you can add to make it easier for your prospects to sample your expertise and buy from you.

© 2004-2009 Alexandria Brown International Inc.

Online entrepreneur Ali Brown publishes the award-winning 'Highlights on Marketing & Success' weekly ezine with 36,000+ subscribers. If you're ready to jump-start your marketing, make more money, and have more fun in your small business, get your FREE tips now at www.AliBrown.com

WANT TO SEE MORE ARTICLES LIKE THIS ONE? See Ali's Small Business Marketing Blog.

January 18, 2009

"8 Things You MUST Know Before Hiring a Copywriter"

 by Ali Brown

If you're considering hiring copywriting help for your next sales letter, brochure, website, or marketing project. Congrats! You should get great results if you hire a pro to do it right.

Many solo-preneurs have valid concerns about letting an outsider develop their content. After all -- it's your business, you know it best, and your image is critical. However, you're wrapped up in your business every day.

A good copywriter can see your business in a new light, draw out the key benefits of your products and services, and communicate that excitement to your clients and prospects.

Working with a writer isn't complicated, however it will benefit you tremendously to become familiar with how the relationship typically works and ways to help the process move along smoothly. So, here are my top 8 tips on how to choose and work with a copywriter:

1. Understand what you're trying to accomplish.

Streamline the writing process by figuring out the principal points you need to communicate -- *before* you bring in a writer. Who is your target audience? What is your message? What is unique about your business? In what tone do you want to speak to your reader?

And most important: What response do you ideally want the reader to make? Having this information agreed upon BEFORE you get a writer involved will save you unnecessary copy revisions and keep your costs down.

2. Have a realistic schedule.

Rushed work usually means it'll be expensive... or just plain bad! Avoid hastily hiring a copywriter and dumping a rush job on her. Not only will you not have time to thoroughly check her experience and references, but, no matter how wonderfully talented she is, her first draft will not be 'fully cooked.' Most copywriters need some time to let words and ideas simmer.

Most writers will request several WEEKS to develop your copy, so set a realistic schedule to give the creative process ample time. Count on going through one or two revisions as your writer refines the piece and conveys the key benefits of what you're promoting.

3. Make sure the writer has written for the *medium* you want.

Let's say you need someone to re-energize the copy on your Web site. A freelancer who has only written magazine articles won't likely have the skills to create content for a dynamic Web site. She's probably not proficient at breaking-up copy into easily digestible bits, integrating hyperlinks that entice your users to take action, and keeping your end-user in mind to plan a friendly, easily-navigable site.

She may be able to learn how, but you'll be paying for her slow ramp-up speed. Take time instead to find the right person -- it will save you many headaches down the road.

4. Experience within your industry isn't always necessary.

When I was a copywriter myself, I heard many prospects say, 'So you've never written for a _______ company before?' A valid concern on your part, but don't worry. A writer's ability to write well for the medium is typically more important than her having prior experience in your industry.

Many writers are true generalists and write just as well for an edgy new media start-up as they do for a giant hospital network. They're very proficient at diving into your business, learning it inside and out, and churning out great copy to entice your target market.

Now of course, if you're producing a technically oriented business-to-business Web site or marketing piece, you may want to hire a writer with experience in both your project's medium and your industry. If you find a good one, hold on tightly and pay well. You've struck gold!

5. Ask for references, and contact them.

All writers can show you samples of well-written material, but how do you know if they'll work to understand your communication needs, meet deadlines, and act professionally in front of your clients? Any great copywriter should have an ample list of references that she can share with you. Be sure to contact at least two of them, and ask them about her weaknesses as well as her strengths.

6. Keep in mind that you get what you pay for.

It amazes me how businesspeople will drop thousands of dollars on Web or print design and hesitate to spend half as much on great copy. Pictures and design enhance your message, but jeez folks ...the writing IS your message!

Good copywriting does not come cheaply -- you'll find writers who charge anywhere from $75 - $250 per hour and up. You'll pay on the higher side for an experienced writer, one with a particular specialty, or one who's also a proficient editor. (Many writers are also great editors, but not all writers are editors, and vice versa.)

Veteran sales letter pros typically charge high flat fees, and I know of a few colleagues who charge up to $100,000.00 for one single salesletter, plus royalties. But you can find good copywriters for much less.

7. Work on more than a handshake.

True writing pros will give you an agreement they've drawn up for you. However, you'll occasionally find yourself having to draft an agreement for the project. This doesn't have to be complex -- a simple letter that you both sign should do fine. Be sure to include the project size, number of revisions included, timetable, and agreed fee (this can be a flat fee or hourly rate).

And don't forget to ask what's *not* included. For example, many writers charge extra for in-person meetings, research time, and weekend or rush work. You should also expect to pay an upfront retainer. Most writers charge one-third to one-half of the total project fee upfront, and many won't begin your project until they have the signed agreement and check in hand. And if you have sensitive or proprietary information, don't hesitate to have your writer sign a non-disclosure agreement (NDA).

8. Give your writer background info at the start.

It often happens that a writer is hired for a large project, and the first thing she's asked to do is come in and interview all the principals of the company. After several days of interviews, the writer is then handed the company's brochures, annual report, and marketing plan.

If this background info had been given up front, the client could have saved hours of time and money! At the beginning of your project, pass on any and all previous and applicable info.

© 2001-2009 Alexandria Brown International Inc.

Online entrepreneur Alexandria K. Brown publishes the award-winning 'Highlights on Marketing & Success' weekly ezine with 36,000+ subscribers. If you're ready to jump-start your marketing, make more money, and have more fun in your small business, get your FREE tips now at www.AlexandriaBrown.com